In the surreal world of “Universal Language,” director Matthew Rankin creates a version of Winnipeg, Ontario where the city is populated by Farsi-speaking Iranians. The movie, filled with absurdity and surrealism, focuses on community and friendship. Using real stories from Rankin’s life, the film delves into themes of human connection and belonging.
Rankin, who previously worked as an academic historian, aimed to put reality through a cinematic prism to create something new and thought-provoking. The film challenges conventional filmmaking rules and embraces artifice to explore its expressive potential. By blending elements of reality with the surreal, the movie creates an in-between space that is both sincere and artificial.
In a time of divisive politics and social media-driven isolation, “Universal Language” stands out for its focus on trust, community, and connection. The film’s gentle and kind-hearted approach is seen as a radical gesture in today’s political climate. Rankin hopes the movie can inspire viewers to embrace collaboration, empathy, and laughter, fostering a sense of commonality and understanding in a world plagued by rigid binaries and isolation.
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