Renowned opera director and librettist Ted Huffman has made his Royal Opera main stage debut with a new staging of Tchaikovsky’s Eugene Onegin. The production, characterized by a minimalist set design by Hyemi Shin and costumes by Astrid Klein, focuses on the compelling performances of the cast and the classic love story. Huffman’s direction emphasizes the relationship between the two sisters, played vibrantly by Avery Amereau and Kristina Mkhitaryan.
Huffman’s interpretation occasionally diverges from Tchaikovsky’s original vision, particularly in the duel scene, but maintains a gripping and transformative quality. The absence of a set allows for intimate and daringly quiet moments from the standout performers, including Mkhitaryan and Liparit Avetisyan. Gordon Bintner shines as Onegin, capturing his destructive self-importance with a supple yet hard-edged baritone.
The orchestra, led by conductor Henrik Nánási, plays warmly and robustly, though some passages may be overpowered by the singers. The chorus and supporting cast, including Brindley Sherratt and Rhonda Browne, deliver memorable performances that enhance the overall production. While some may find Christophe Mortagne’s portrayal of Triquet slightly artificial, the production as a whole reflects Huffman’s ability to evoke emotion and depth on stage.
Huffman’s streamlined and impactful approach to directing the classics shines in this Royal Opera production, solidifying his reputation as a versatile and dynamic force in the opera world. The production runs at the Royal Opera House in London until October 14th, offering audiences a chance to experience a fresh and compelling take on a timeless opera classic.
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